Friday 22 April 2011

Tales of blind mixing & surgical elbow retraction ...

The monitor sits forlornly. Drooping downwards, devoid of power. The booth is two feet deep ... barely enough to entertain my generous waist. Bending down requires surgical elbow-retraction, and yet still this funny little venue has decided that the place for said booth should be a good 8 feet up in the air. A battered DJM-600, once the go-to mixer of choice occupies the centre ground ... most of it's knobs are MIA, sheared off at the tip, years since the 'effects' functioned properly. The CDJ-800s are basic, unruly with trademark sticky cue buttons.

In short it's a job & a half to make any sense of the situation with the muffled soundfug that's circling around the booth, but I'm faced with a crowd of Motorstorm programmers who are here to unwind, let go, breathe a massive, collective & drunken sigh of relief as their PS3 game is finally on the shelves. I'd been 'warned' beforehand with a wry sense of resignation that 'they are geeks ... and they don't dance'. I love a challenge ...

... fast forward two hours and I switch it up with a dubstep drop. There's a sweaty, pogo'ing throng. There's whooping, hollering, frugging. A roomful of drunken, smiley faces and I'm transported back to the halcyon days of Fused & Bruised residencies at the Dogstar in Brixton where I cut my teeth behind the decks.

All is good with the world.

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